“[Antrópolis’s] orchestral sophistication and grooving joy would make the Leonard Bernstein of ‘West Side Story’ jealous.”

The New York Times

“They Said Her Music Was Too Exotic. Now She’s a Classical Star.”

Javier C. Hernández – The New York Times

“Composer Gabriela Ortiz´s evocative music makes a strong case for the art form´s role as a powerful voice in today’s society.

Andrew Farach Colton- Gramophone Magazine

“Gabriela is one of the most talented composers in the world—not only in Mexico, not only in our continent—in the world.”

– Gustavo Dudamel

…the thrill of discovery illuminated every measure… The chunky Andalusian groove of the first movement gave way to a meditative central sequence, and Dueñas’s violin soared through the stratosphere as chimes and tuned crystal glasses added an eerie halo of sound.”

Boston Globe

“[Altar de Cuerda] begins with a scorching statement in the violin, with whacks of triangle and crotales (spooky sounding cymbals) that rise off the stage like puffs of smoke in a roiling brew. At a few points, the woodwind and brass musicians played tuned crystal cups that conjured ritualistic magic.”

The New York Times

“The beautiful, bass-heavy central movement, Canto Abierto (Open Song), conjures a mystical atmosphere of early Mexican churches. A bass drum booms, deep strings give mildewy cushion and timpani glide down as if to the center of the Earth. Wind instruments are the wind. The glistening solo violin does the singing. A final chord in the orchestra sounds electrically charged.”

-Los Angeles Times

Revolución Diamantina

nominated in four GRAMMY categories

Best Contemporary Classical Composition / Best Orchestral Performance / Best Classical Compendium / Best Engineered Album, Classical

Latin Grammy nominated Gabriela Ortiz is one of the foremost composers in Mexico today, and one of the most vibrant musicians emerging in the international scene.

Her musical language achieves an extraordinary and expressive synthesis of tradition and the avant-garde; combining high art and folk and popular music in novel, frequently refined and always personal ways. Her compositions are credited for being both entertaining and immediate as well as profound and sophisticated; she achieves a balance between highly organized structure and improvisatory spontaneity.

I fell in love with music once I understood that sounds have souls, and it is through them that one may speak of oneself.

– Gabriela Ortiz

Latin Grammy nominated Gabriela Ortiz is one of the foremost composers in Mexico today, and one of the most vibrant musicians emerging in the international scene.

Her musical language achieves an extraordinary and expressive synthesis of tradition and the avant-garde; combining high art and folk and popular music in novel, frequently refined and always personal ways. Her compositions are credited for being both entertaining and immediate as well as profound and sophisticated; she achieves a balance between highly organized structure and improvisatory spontaneity.

NEWS

Spotlight: Composing for Carnegie Hall with Gabriela Ortiz

Spotlight: Composing for Carnegie Hall with Gabriela Ortiz

Thu, October 106:00 p.m. – 6:45 p.m.Apple Fifth Avenue http://gabrielaortiz.com/wp-content/uploads/2024/10/AQMdbRySGTO188aX1X2tjQ7_LHuL4xy6WC4C3_i5KwlkXm9D-GwdatqwqVFmn6tSUqOT5jOzpv1h6LLZzhqKMJuU.mp4 Join composer Gabriela Ortiz as she discusses reimagining classical...

Spotlight: Composing for Carnegie Hall with Gabriela Ortiz

Thu, October 106:00 p.m. – 6:45 p.m.Apple Fifth Avenue http://gabrielaortiz.com/wp-content/uploads/2024/10/AQMdbRySGTO188aX1X2tjQ7_LHuL4xy6WC4C3_i5KwlkXm9D-GwdatqwqVFmn6tSUqOT5jOzpv1h6LLZzhqKMJuU.mp4 Join composer Gabriela Ortiz as she discusses reimagining classical...

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CAN WE KNOW THE SOUND OF FORGIVENESS – PROMO VIDEO 2024

CAN WE KNOW THE SOUND OF FORGIVENESS – PROMO VIDEO 2024

Experience the New York premiere of a powerful and groundbreaking merging of music, visual art, dance, and spoken word, anchored by the visionary music of Carnegie Hall’s 2024–2025 Debs Composer’s Chair Gabriela Ortiz, co-commissioned by Carnegie Hall. Inspired...

CAN WE KNOW THE SOUND OF FORGIVENESS – PROMO VIDEO 2024

Experience the New York premiere of a powerful and groundbreaking merging of music, visual art, dance, and spoken word, anchored by the visionary music of Carnegie Hall’s 2024–2025 Debs Composer’s Chair Gabriela Ortiz, co-commissioned by Carnegie Hall. Inspired...

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